There is so emotional Jab Tak Hai Jaan near; it is irreverence suggests that the film, which would be Yash Chopra, the former is far from ideal. Jab Tak Hai Jaan but is a single event and finish, emotional episode memorable professional man of uncontrollable excitement of life, love and the film, the real legacy was his unwavering faith in the infinite love, and it is Jab Tak Hai Jaan that symbolizes.
Samar Anand (Shah Rukh Khan) is an odd concert immigrant in London, confusion in one of his amusing English, but the bravery and unquashable song in his feeling. Although street art, he will get together with Meera (Katrina Kaif), daughter of mutilating Dad is still nursing the child and the practice of negotiating with God. Declare English classes singing teaching results switch two quickly fall in love. But when Samar is in a car accident, irrational Meera made a covenant with God, praying for his life, and once again he would eventually give up his love, leaving him forever.
He and his nonconformity decide that the power of his love is better than his fear of losing him, and asked his gods, he went to Kashmir to become a professional bomb disposal, the place of death bravely each turn. Akira (Anushka Sharma) is a culture in the Discovery Channel, which sparked his love and chooses a song from the film The man who can not die. Following issues when Samar is unexpected return to London at the request of Akira and the life of three to go to the node.
Nobody is a pretty novel as Yash Chopra and Shah Rukh Khan. Whether his quiet charisma of the previous personification happy or threaten the solidity of the figure Byron, Khan has always watchable. Its limits and personality lives Khan brings him alone, animation of "Ishq Shava" charm "Challa" to calm courage of a military officer, is characterized by the final hero Yash Chopra.
The film also refers to the reinvention of Anushka Sharma Yash Chopra heroine in the form of: happy, modern woman and not to exploit the spirit of commitment reflected lovers. Chopra brings his usual transport the viewer and loudly in the modern era, where femininity is preceded by love, and a girl blatantly send it to sleep in his goal of every accent in the world.
It's almost a competition in the old and new orders, such as Kaif, despite his taste for cigarettes and seductive curves, is basically a traditional heroine, who likes to die, sacrificing love of family and God. Fun Sharma wins on celluloid, if this is not a story in which a dynamic and engaging performance. Kaif, but not necessarily a captivating, fragile and annoyingly self-denial, lack of punch and the courage to do that much more interesting Sharma. However, in accordance with the conventions of traditional society, it is not surprising that the guy gets to the end.
King Khan not embrace his reign, if the lost time with a series of intimate trysts with Katrina Kaif Yash Raj accordance with uninhibited courage of modern youth, even if it is a little shocking to the public traditionally prude.
There are beautiful shots of Ladakh, attractive Ishq Shava dance-off between Kaif and Khan is intriguing, the dialogue turns - but may need to be - and even if the contribution is made no dull Kaif Meera power spine, Khan and Sharma provide background presentations. The story is far too random, built on a shaky assumption hinge Meera frankly dumb-ass treats of God and an unlikely event, when a man on a daily basis to avoid the death of the former demilitarized zone, hit two times an accident motor vehicle, five minutes after his arrival in London.
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